An aging actor fights to remember his lines, and himself, in one final performance.

“A gripping play with a profoundly human truth at its heart”

–  Three Weeks

★★★

“By the end, he’s in tears and we’re in tears, before a final “uplifting thought” on staying active, using our brains and doing things like following a dream to put on this show, as he’s done, written specially for Edinburgh – the culmination of what sounds like a trully Shakespearian journey.”

–  The Scotsman

★★★★

“This is a skilfully delivered soliloquy from an actor who understands his craft as well as his character.”

–  Fringe Review

“Shearman uses some of Shakespeare’s best-known speeches to hold a mirror up to ageing and the loss of identity.”

–  Jane Ford, Adelaide Now / The Advertiser

★★★★½

“When an artist defines himself by his craft, what ensues without it?”

– Alix Cohen, Theater Pizzazz

“One of the most profound shows at this year’s New York City Fringe.”

– Jon Sobel, Blogcritics

“Paul Shearman carries the entire piece, and it works.”

– Stephen Kearley, Hi! Drama

★★★★½

“A moving reflection on ageing and identity.”

–  Theatre Beyond Broadway

“Shearman’s finely calibrated performance… lingers in the mind.”

–  Tony Marinelli, TheaterScene

“A powerful fusion of King Lear and ageing, delivered with humility, humour, and commanding talent—captivating from start to finish."

–  David Cronin, The Clothesline

★★★★½

“A masterclass in Shakespearean acting… a moving reflection on ageing and identity."

–  Jane Ford, The Advertiser

★★★★½

“A powerful fusion of King Lear and ageing, delivered with humility, humour, and commanding talent.”

David Cronin – The Clothesline

★★★★½

“Shearman draws the audience in from the first line… a performance that feels intimate and deeply human. "

–  Isha Juneja, The List

★★★★

“A thoughtful and gently affecting play, exploring ageing, memory, and theatre"

–  Kym Clayton, The Barefoot Review

★★★½

An aging actor fights to remember his lines, and himself, in one final performance.

“A gripping play with a profoundly human truth at its heart”

–  Three Weeks

★★★

“By the end, he’s in tears and we’re in tears, before a final “uplifting thought” on staying active, using our brains and doing things like following a dream to put on this show, as he’s done, written specially for Edinburgh – the culmination of what sounds like a trully Shakespearian journey.”

–  The Scotsman

★★★★

“This is a skilfully delivered soliloquy from an actor who understands his craft as well as his character.”

–  Fringe Review

“Shearman uses some of Shakespeare’s best-known speeches to hold a mirror up to ageing and the loss of identity.”

–  Jane Ford, Adelaide Now / The Advertiser

★★★★½

“When an artist defines himself by his craft, what ensues without it?”

– Alix Cohen, Theater Pizzazz

“One of the most profound shows at this year’s New York City Fringe.”

– Jon Sobel, Blogcritics

“Paul Shearman carries the entire piece, and it works.”

– Stephen Kearley, Hi! Drama

★★★★½

“A moving reflection on ageing and identity.”

–  Theatre Beyond Broadway

“Shearman’s finely calibrated performance… lingers in the mind.”

–  Tony Marinelli, TheaterScene

“A powerful fusion of King Lear and ageing, delivered with humility, humour, and commanding talent—captivating from start to finish."

–  David Cronin, The Clothesline

★★★★½

“A masterclass in Shakespearean acting… a moving reflection on ageing and identity."

–  Jane Ford, The Advertiser

★★★★½

“A powerful fusion of King Lear and ageing, delivered with humility, humour, and commanding talent.”

David Cronin – The Clothesline

★★★★½

“Shearman draws the audience in from the first line… a performance that feels intimate and deeply human. "

–  Isha Juneja, The List

★★★★

“A thoughtful and gently affecting play, exploring ageing, memory, and theatre"

–  Kym Clayton, The Barefoot Review

★★★½

When the lines fade, the truth gets louder.

A once-celebrated Shakespearean actor steps onto an empty stage for one final audition. His chance to prove he can still command the role of King Lear and the life he’s built around the stage. Alone beneath the ghost light, Sebastian Drake begins to rehearse. But as the lines blur between performance and memory, his private demons and long-buried loves return to challenge him in ways no critic ever could.

A moving, darkly funny, and deeply human solo performance about pride, aging, and the fragile beauty of memory, The Last Audition invites the audience to witness a man fighting to hold on to the role of a lifetime, before the curtain falls.

A Story for Anyone Starting Again

You don’t need to know Shakespeare; you just need to know what it feels like to start over. This is a story for anyone who’s lost something, a role, a memory, a sense of who they were, and is brave enough to begin again.

It’s About Courage, Not Age

It’s not a play about growing old; it’s about refusing to give up. It’s about standing in the light, trembling maybe, but still stepping forward. Because sometimes the hardest role to play is yourself.

Actor’s Catnip

For theatre lovers and actors alike: live transformation, Shakespeare riffs, backstage confessionals, and no gatekeeping. It’s a love letter to performance itself, the messy, miraculous craft of being human in public.

Festival-Ready Pace

A tight 60-minute run. Big laughs. Real stakes. It’s moving, funny, and perfectly timed for a night of back-to-back Fringe discoveries.

Why Audiences Love It

Well crafted story and script. Wonderful performance. So many Shakespeare quotes. And really poignant / thought provoking.

👏Standing ovation


Nigel I.

Last audition is an amazing one man performance of aging and relevance with powerful performances of scenes from Shakespeare's famous plays. Could not recommend it more highly.

🤯Mind-blowing


Ken R.

Our attention was focussed on Paul Shearman for every minute of his performance. Riveting, poignant, reflective, sobering, pertinent acknowledgement of intergenerational dynamics. Pleased to recognize the Bard’s lines!, but it’s time now to refocus on his works and to read King Lear! Elizabeth and Neil

💎Hidden Gem


Elizabeth H.

A wonderfully acted and poignant one-hander about an aging Shakespearian actor who is auditioning for the role of King Lear whilst battling the earliest stages of dementia. Nice nods to other Shakespeare plays throughout. Tucked away in a small theatre within the Star venue, this is a true hidden gem that deserves attention from drama-lovers.

💎Hidden Gem


Craig T.

A solo artist who delivers an emotional performance of an aging actor who is losing words. Beautiful words, delivered with passion. Thoughtful & thought provoking.

💎Hidden Gem


Phyllis P.

Beautifully performed

💎Hidden Gem


Amanda A.

Beautifully written and performed! Highly recommended

👏Standing ovation


Tracey W.

A beautifully written and acted piece. Honest, moving, poignant, and relatable. Not drawn out or overdone. Just simple theatre at its best. Do go & see it 🫠

👏Standing ovation


Chris R.

My pick of the Fringe. Emotional, tender, heartrending, sublime. Paul Shearman reaches out and you can see the moment between memory and loss in the quiet glimmer of his eye.

👏Standing ovation


Catherine F.

Compelling exploration of the tragic circumstances of dementia with dramatic reference to King Lear (among others)

💎Hidden Gem


Donald B.

Beautifully written, poignant, funny and heartbreaking. Sympathetically honours one actor's journey through their "last audition". Was completely engaged with this sensitively delivered authentic performance. A must see world premier here in Adelaide Fringe 2026.

👏Standing ovation


Leslie T.

Thoughtful one man show on the beginnings of dementia.

💎Hidden Gem


Anne O.

This is a beautiful performance that could easily be a huge festival show. Acted gloriously and movingly

🎢Emotional roller-coaster


Christopher O.

5 stars-Don't forget to see it-

💎Hidden Gem


Maurice W.

Fabulous acting- and a poignant message about ageing gracefully, living life to the full and enjoying lifes literary treasures

👏Standing ovation


Nicholas M.

Excellent performance! Must see

💎Hidden Gem


Ross V.

Hooked from the very start - it’ll keep reeling you into the very end. An amazing one man show.🥹

🎢Emotional roller-coaster


Peter L.

Skill and heart

💎Hidden Gem


Dianne R.

A heartfelt look at aging, enjoyable and thought-provoking

💎Hidden Gem


Harry P.

A powerful and poignant portrayal of the sadness and frustration of memory loss. Using " old words" to highlight a modern issue. Amazing one man performance !! Highly recommend it .

💎Hidden Gem


Mandy F.

I was drawn in and fully engaged from the very first words uttered by Paul Shearman in this highly emotive piece. We followed the highs and lows of an actor preparing for an important audition, enjoying Shakespearean tirades and titbits along the way as the central character slowly revealed himself to his audience. Get along to this quality piece of original theatre. Highly recommended!!!

👏Standing ovation


Ryan H.

A compelling solo performance that kept me riveted throughout. Explores the harsh reality of memory loss and loss of identity from the perspective of a Shakespearean actor. A powerful performance.

💎Hidden Gem


Susan H.

A wonderful performance beautifully acted by a skilled performer. Thought-provoking and moving.

👏Standing ovation


Margot H.

Shows through the words of Shakespeare and past memories, the actor's attempt to keep his identity, independence and worth, while confronting the realisation that the dementia type illness has snuck up on him silently, gradually. His "rehearsal" reveals his past in a bitter sweet way.

👏Standing ovation


Rosanna T.

Strong one man performance about an aging actor’s mental health decline. Opening here before touring to New York and Edinburgh’s Fringe this is well worth watching. Highly recommend it.

💎Hidden Gem


Peter H.

Strong one man performance about an aging actor whose mental capacity is declining. Launched in Adelaide before touring to New York and Edinburgh's Fringe this is well worth watching. Highly recommend. JS

💎Hidden Gem


Peter H.

Paul Shearman is impressive as a forceful Shakespearean actor confronting the inevitable ageing process and loss of identity. Absolutely worth seeing this Fringe!

💎Hidden Gem


Ellen R.

Excellent. The performance is so good, Paul Shearman transports you from Shakespeare to real life brilliantly and heart breakingly.

💎Hidden Gem


Kate H.

Commanding stage presence from beginning to end. A treat to experience

💎Hidden Gem


Viv S.

A well timed and delivered performance. The actor conveys the anxiety and concerns of realizing your age and limitations Great show


Jarko V.

The actor is a master of his craft, the acting and delivery is first class. A man with onset dementia auditioning for the part of a king verging on madness. The part he's always wanted to play and now towards the end of a glittering stage career he finally gets the chance, but will the opportunity slip away along with his ailing memory? He certainly remembers his Shakespearian lines when it comes to it, delivering them with consumat relish, but what about his grip on the stage of reality? Touching, poignant, funny,...


Keith P.

Paul hired me as a photographer and I m a theatre maker too but by the end of performance I was like I have to call my dad and I need to say are you okay dad. Coming from India and looking for fringe first time and there is a lot of content which is not upto the mark but this show paul did and amazing show. I want to thank you paul for making a play like this, also I m not a reviewer but as an audience this show is on another level one many army paul did a great job lot of respect to this man.


NIKHIL KUMAR B.

⭐️⭐️⭐️⭐️⭐️ brilliant executed! Paul is a master of Shakespeare and has so delicately and beautifully woven together the story of an old man who is about to audition for the role of King Lear - a man whose story parallels his own. This is one is for theatre lovers! The language of Shakespeare artfully woven with Paul’s writing is extremely satisfying .


Rachael M.

Fantastic show!. A masterclass by veteran performer Sebastian Drake navigating his way through his golden years as a Shakespearean actor. Paul’s superb story provides a moving, funny and thought provoking piece. A must see!


James M.

If you love Shakespeare or want to know why people love Shakespeare so much go see this! Extremely heartfelt and warm. A great balance to all the comedy of the fringe. Makes you fall in love with live theatre.


Emma

A very moving show with an utterly phenomenal actor - he has absolute mastery over the Shakespearean sections and the skill to deliver difficult language at that quality whilst telling a completely separate story blew me away. I was in tears at the end. It was a beautiful play and you should add it to your list!!


Polly D

Wow. Completely blown away. Phenomenal acting and incredible play. Pls add this to your Fringe watch list it is MUST SEE !!


annabel

Doing a show solo is a big call for any actor but Paul held the stage the whole time with an emotional performance of what felt like a very personal script. Fring theatre at its best!


Ran B

This was a wonderful performance and show. Gave light to a very good topic and aspect of ageing. You do not need to be a Shakespeare fan to be absorbed by the acting skill and very poignant story. Highly recommended.


Simon A.

1/29

Tour Dates

Upcoming Shows

Edinburgh, Scotland

Edinburgh Fringe Festival

August 5th to August 29th

@theSpace on the Mile, Space 3

(located within the Radisson Blu Hotel on the Royal Mile)

Book This Show

The Last Audition is a solo performance exploring memory, ageing, and the actor’s craft as one man fights to hold his lines—and himself—together. Moving between humour and vulnerability, the show blurs rehearsal, role, and reality in an intimate festival-ready format. Critically reviewed and built to tour, it resonates with theatre lovers, literary audiences, and anyone touched by ageing and care.

Tour timeline

  • 🇨🇳 BeijingPreview Performances
  • 🇦🇺 Adelaide Fringe – Star Theatres / Garage International / Royalty Theatre
  • 🇺🇸 NYC FringeFrigid Festival (Chain Theatre Mainstage)
  • 🇨🇦 Montreal FringeO PATRO VÝŠ
  • 🇬🇧 Edinburgh FringetheSpace on the Mile

Now booking 2027 UK, EU, Australia & North America.

Developed through live performance across Australia, North America, and the UK.

Technical overview

  • Runtime: 55 minutes
  • Touring party: 1 performer
  • Tech: minimal
  • Get-in: 15 minutes
  • Set: chair + ghost lamp
  • Lighting: general wash

Audience profile

  • 50+
  • Shakespeare lovers
  • Literary audiences
  • Care community crossover
  • Theatre festivals

Press & Media Enquiries

For press and media enquiries regarding Last Audition, please contact Mobius Industries.

www.mobiusindustries.com

Kindle Edition

The Last Audition

Reinventing a Creative Life After 60

The Last Audition: Reinventing a Creative Life After 60 is a candid, clear-eyed account of what it means to begin again when time, health, and comfort all argue against risk.

After a cancer diagnosis abruptly ends a long period of professional stasis, actor and writer Paul Shearman is forced to confront a question many creatives quietly avoid: What if waiting is no longer an option? Rather than easing back into safety, he chooses something far more destabilizing — writing and producing a solo show and committing to a world tour that begins in Beijing and leads toward some of the world’s most demanding stages.

This book follows that decision in real time.

“This isn’t a play about dementia. It’s a play about dignity.”

— Paul Shearman

“This isn’t a play about dementia. It’s a play about dignity.”

— Paul Shearman

Cast & Crew

Writer/ Performer

Paul Shearman

Director

David St John

Voice Director

Maile Cannon

About Paul Shearman

Born into a military family in Virginia, raised in California, and educated in Oregon, I discovered theatre in high school and never let it go. Though I earned a degree in Political Science and International Affairs, the stage kept calling. Work in Washington, D.C. and NYC reignited a passion for performance across theatre, film, and television.

Donate now at Fractured Atlas!

The Last Audition is a sponsored project of Fractured Atlas, a non-profit arts service organization.

Contributions for the charitable purposes of The Last Audition must be made payable to “Fractured Atlas” only and are tax-deductible to the extent permitted by law.

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